And there begins a dizzyingly complex harmony, even more intricate than the most involved pieces Linya has been known to produce when in the mood for a challenge; there must be more than one player -

There isn't.

It's one woman, eyes closed, floating in a null-gee bubble with an instrument before her crisscrossed with wires on both sides of its flat wooden body. She's striking it with all four of her hands, fast and precise and lovely.